Jo Yi-hyun stayed by Choo Young-woo’s side as he was left alone.

In the second episode of tvN Monday-Tuesday drama ‘The Fairy and the Gyeonwoo’ (directed by Kim Yong-wan, written by Yang Ji-hoon), the straight-forwardness of Park Sung-ah(played by Jo Yi-hyun)was portrayed despite Bae Gyeon-woo’s(played by Choo Young-woo)iron wall.Bae Gyeon-woo’s deep wounds, who had to give up even the promising field of archery due to his continued misfortune, made viewers feel sorry for him.In addition, the determination of ‘Fairy of Heaven and Earth’ Park Sung-ah, who ran to Bae Gyeon-woo, who was left alone after his grandmother Oh Ok-soon(played by Gil Hae-yeon)left, raised expectations by opening the prelude to a redemptive romance that will reverse fate.

The viewership ratings are also good.The viewership ratings for the second episode recorded an average of 4.5% and a high of 6.0% for households in the metropolitan area, and an average of 4.4% and a high of 5.8% for households nationwide.The viewership ratings for men and women in their 20s and 40s, which are tvN target demographic, recorded an average of 1.7% and a high of 2.4% nationwide.(Based on Nielsen Korea’s paid households)


On this day, Park Sung-ah’s direct advance to protect Bae Gyeon-woo was dynamically displayed.Although she succeeded in exorcising the water ghost, Park Sung-ah only left a strange and peculiar impression on Bae Gyeon-woo’s eyes, who had no way of understanding English.Nevertheless, Bae Gyeon-woo’s great operation to exorcise bad luck continued.Park Sung-ah, who needed special measures because Bae Gyeon-woo’s bad luck was stronger than expected, changed her strategy to hiding talismans here and there around him.This is because the talismans become more effective the longer they are installed in a place where they stay.Bae Gyeon-woo was bewildered by Park Sung-ah’s sudden behavior when she suddenly barged into his house, saying she wanted to become close to him.Bae Gyeon-woo was very puzzled by Park Sung-ah, who was lingering around him unpredictably.

Park Sung-ah’s efforts were in vain as Bae Gyeon-woo faced another crisis.Bae Gyeon-woo entered the temple upside down, engulfed in flames.At the same time, rumors began to spread that Bae Gyeon-woo had set fire to the archery club dormitory, leading to his expulsion and transfer to another school.Bae Gyeon-woo fled to the warehouse to avoid the pouring criticism.And as expected, the misfortune called forth the fire spirit, and Bae Gyeon-woo, engulfed in flames, suffered as his past traumas came back to him.Although he was an elite archer, the stigma of being an icon of misfortune was not welcomed anywhere.Bae Gyeon-woo, who even recalled the message from the past, “I wish you would die,” was about to give up everything when Park Sung-ah appeared again.She jumped into the flames to save Bae Gyeon-woo.And so, once again, Park Sung-ah saved Bae Gyeon-woo from death.


The crisis was averted, but a greater darkness awaited Bae Gyeon-woo.Oh Ok-soon came to see Park Sung-ah, who was upset by Bae Gyeon-woo’s appearance getting further and further away as she approached.Oh Ok-soon made a request that only the ‘fairy of heaven and earth’ Park Sung-ah could fulfill.She asked her to hold Bae Gyeon-woo’s hand in her stead.At that moment, Park Sung-ah realized.Oh Ok-soon was no longer of this world, and Bae Gyeon-woo’s only refuge, his grandmother, had passed away.Park Sung-ah shed tears as she promised to make sure Bae Gyeon-woo lived.

And Park Sung-ah ran to Bae Gyeon-woo, who was grieving alone.Bae Gyeon-woo coldly chased away Cheonji Seon-nyeo who showed up at the funeral.Park Sung-ah did not back down.The determination in Cheonji Seon-nyeo’s determined eyes, “I will save you.In a way you hate.I will never leave you alone,” made us anticipate Park Sung-ah’s performance that will brighten Bae Gyeon-woo’s world even more.

Hong Se-young, reporter for Donga.com projecthong@donga.com

This article is automatically translated using Google AI. If you notice any inaccuracies, please let us know at allkstar@donga.com.